
🎬 Overview
Rajasaab (also titled The Raja Saab) is a pan-India fantasy horror comedy starring Prabhas, directed by Maruthi. The film released during the Sankranti season with high expectations, promising a mix of horror, comedy, romance, and fantasy elements.
⭐ Story & Screenplay
The biggest drawback of Rajasaab is its weak and uneven screenplay. While the premise starts with some curiosity, the narration soon becomes confusing and dragged, especially in the second half. The horror and comedy elements fail to blend properly, leaving both genres underwhelming.

🎭 Performances
Prabhas tries something different and puts in sincere effort, especially in light-hearted moments, but the character lacks strong writing. The female leads are underutilized, with minimal scope to perform. Supporting characters appear and disappear without much impact.
🎨 Technical Aspects
VFX quality is inconsistent, which is disappointing for a big-budget film. Background score and songs receive mixed reactions and do not elevate key scenes. Production values are decent, but excessive green-screen usage affects immersion.
🎥 Direction
Maruthi’s attempt to handle a large-scale horror-comedy does not fully succeed. The film struggles with pace, tone consistency, and emotional engagement. Scenes that should evoke fear or laughter often fall flat.
💬 Audience Response
Audience reactions are mixed. Hardcore Prabhas fans appreciate his effort and screen presence, but neutral viewers find the film lengthy and tiring. Some portions work individually, but overall execution is weak.
🧠 Final Verdict
Rajasaab had potential but suffers due to poor storytelling, lack of effective horror and comedy, and weak execution. It may be a one-time watch for Prabhas fans, but general audiences might feel disappointed.
Rating: ⭐⭐☆☆☆ (2/5)
Overall, Rajasaab has opened to mixed reviews, and its box office performance in the coming days will largely depend on word of mouth. The film may find limited appeal among hardcore fans, but sustaining momentum could be a challenge.